Don Quixote


Evening. One day last week, after rain. I walked across the hill side and up to the top of Moel Eiddew to hear the wind blow unhindered and exorcise the fizz of the city in my head. On this low and unfrequented summit just south of the main bulk of Snowdonia I set up my camera and gazed for a few minutes at the rather other-worldly juxta-position of bleak moorland and modern technology. 

Standing by the wind farm, the breeze is made visible by the graceful spinning of the blades and the swoosh of their passage through the constantly moving air. I had never been so close before to one of these gigantic constructions that the first sight of them made me start. While I attempted to fathom the surprise I was feeling I came upon the realisation that I felt out of step: out of step with modernity, out of step with the mountains and in some kind of nomansland between the two.
Standing next to my hand-made, self-designed pinhole camera, before this display of albeit admirable technical wizardry, I felt like Don Quixote tilting madly at windmills. I imagined the electricity which was being generated before me being sent off through the national grid to its various uses: powering factories, streetlights, televison sets, sound systems, burglar alarms… 

This somewhat odd notion led me to reflect on some of my own values. A list sprang immediately to mind. I believe I value quality rather than quantity, silence over noise, the hand-made over the mass-produced, reflection over entertainment, challenge rather than convenience, simplicity over sophistication, the idiosyncratic rather than the conventional, slowness over speed. I might here be comparing digital and pinhole photography (though, explicitly, I am not) but the comparison is easy to draw. I realized too in that split-second that this beautiful, simple method of communciation was as much part of my way of seeing as the glasses on my face and that the insane nobility of Don Quixote is present in all of us who partake in these rather quirky, anachronistic photographic methods. 

Perhaps we will end up sane and broken like the Don, though I hope we don’t. In the meantime I will continue to preserve and revel in my enjoyment of unconventional and keep tilting at the windmills: crazy, particular but ecstatic.

Grass-drawn curve


From a beautiful, sunlit, evening in the dunes of Aberdyfi, Wales.

I am constantly astonished at the tonal range possible with paper negatives and at the sharpness obtainable with a well-made pinhole.

4×5 pinhole, paper negative. Click the image to view larger.

West Dart River – Swirling Water




The Dart is a beautiful companion, continually moving, tracing lines, shapes, geometries of its own. Descending into the shallow moorland valleys hear the high, embracing pitch of the constant breeze punctuated by its roaring and gurgling. To be near it means to drink, to bathe; cool respite; thirst slaked by cold, peaty water of life.