Sometimes it is enjoyable to take a lensed camera out as a contrast to the slowness of pinhole photography. I found this print on a shelf in my darkroom four years after exposing it and only then realised its aesthetic qualities, qualities hidden to me at the time. Although the exposure time may have been quicker, the production time certainly was not.

Spring sunshine by the River Stour, Warwickshire (Polaroid 55 print, 150mm lens on Shen Hao 4x5).